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Feastown Pop-Up Market is Coming!

Feastown is a brand new pop-up market in the heart of Hollywood that celebrates the rising starts in the food, music and design scene. The bi-monthly event takes place every other Saturday, beginning October 7, 2017, at Eastown, 6201 Hollywood. The market will operate from 5:00 p.m. – 9:00 p.m. on the first and third Saturdays of each month.

With an assortment of up-and-coming local food vendors, and partnerships with Hollywood’s own The Center at Blessed Sacrament and the Los Angeles College of Music we present a new take on the text book “night market” bringing together all aspects of the community for a bi-monthly night of delicious food, and festivities.

For more information, visit

Eastown is situated in a prime location, right in the center of Hollywood. You’ll find restaurants, bars, shopping centers, entertainment venues, transportation options, and so much more—all within a few blocks of our community. (Courtesy photo)

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September 21, 2017

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Second City Presents the Diversity in Comedy Festival

The Second City Hollywood is producing the Los Angeles Diversity in Comedy Festival from October 20 through October 22, 2017. The festival will showcase performers of diverse backgrounds exploring issues pertaining to race, gender, disabilities, sexual orientation and gender identity through performances, panels, and workshops.

The festival features three active stages. The Second City Stage, and the 3 Arts Stage, are located at 6560 Hollywood Blvd. The Hollywood Improv State is located at 8162 Melrose Ave.

Artists from across the country have been selected through submission will performing all three days, on three different stages. The goal of this festival is to offer a platform for celebrating the unique points of view that come from diverse talent in Los Angeles and beyond. The event is sponsored by 3 Arts Entertainment, NBCUniversal, Thruline Entertainment and Groundwork.

Celebrating over 58 years of cutting edge satiric revues, The Second City continues to deliver the leading voices in comedy while touring the globe. Today, The Second City Training Center is the largest school of improvisation and sketch comedy in the world.

Their alumni list reads like a who’s who of American comedy, as it includes Alan Arkin, Joan Rivers, Harold Ramis, John Belushi, Dan Aykroyd, Bill Murray, Gilda Radner, George Wendt, Martin Short, John Candy, Mike Myers, Steve Carell, Stephen Colbert, Tina Fey, Keegan-Michael Key, and countless others. Los Angeles is the world capital of the Entertainment Industry and The Second City Hollywood is in the heart of it on Hollywood Boulevard. The Training Center follows the traditions developed by these groundbreaking and innovative men and women while encouraging the continued growth and development of the art forms of comedy and improvisation.

For the full festival schedule, visit


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September 21, 2017

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The Fonda Theatre: A Storied Venue with a Cutting-Edge Performance Roster

The Fonda Theatre is a classic Hollywood story of glamor, aging, and a stellar comeback. Today, the beautiful Spanish Colonial Revival building is home to a wide range of mainstream and indie music acts that often sell out its 31,000-square-feet, which holds a fairly intimate capacity of 1350.

Fonda theater founder, Carter DeHaven. (Courtesy photo)

It opened in 1926 as the Music Box Theatre. A vaudeville performer, film actor, and a member of many film production teams, then-owner Carter DeHaven enlisted the support of such Hollywood luminaries of the time as John Barrymore, King Vidor, and Mae Murray as investors. DeHaven was a popular comedian, and had a penchant for live theater. The opening production was a revue, “Fancy.”

Historic photo of the Fonda Theatre, at the time known as the Hollywood Music Box, showing “Chicago.” (Courtesy photo)

In 1927, the venue hosted the west coast premiere “Chicago,” starring film icon Clark Gable. Fanny Bryce and Jean Harlow also graced the stage. Stage plays became the staple of the theater’s performance schedule, despite a period in the mid-30s when the Lux Radio Theater broadcast there.

The Tide Radio Show – sponsored by the fabric detergent – ran every week day evening from 1945 through 1952. From 1948 on the shows were broadcast from the Music Box Theatre on Hollywood Boulevard. (Courtesy photo)

But by 1945, it was time for a Hollywood remake. Fox West Coast purchased the building and revamped it with a Streamline Moderne décor, covering the beautiful Spanish Colonial exterior façade with sheet metal. The theater’s offerings turned from stage to screen, and the venue showed films for over 30 years under such monikers as the Guild Theatre, the Fox Theatre, and the Pix Theatre. And then the house went silent, doors closed, in 1977.

Fortunately, preservation rather than demolition was the order of the day, and the Nederlander Organization re-opened it as a stage venue in 1985, re-christening it after actor Henry Fonda. Legitimate theatrical productions returned, with plays including iconic Broadway hits like “Driving Miss Daisy.”

Historic photo of the theater when it was known as The Music Box. (Courtesy photo)

The Fonda Theatre wasn’t done evolving yet, though. In the early 2000s, the theater was restored to its original 1920s style. Gorgeous wall-sized murals that evoked the earlier period became part of the décor, and the name also reverted to the Music Box. That was a short-lived name change, however, and when Goldenvoice took over the space and began booking musical acts, they changed the name back to The Fonda Theatre again.

Historic view of the interior of the Fonda Theatre. (Courtesy photo)

Under any name, The Fonda represents terrific programming today, and as a music venue has hosted acts as diverse as Radiohead, The Kills, The Rolling Stones, Pearl Jam, Katy Perry, and Alabama Shakes. Indie acts are a mainstay, from Haim to the Strombellas, booking remains strong, with many diverse, cutting-edge musical acts.

The interior of the Fonda Theatre as it appears today. (Courtesy photo)

The Fonda is an all-ages general admission venue, standing room on the first floor, but with seating available in the balcony section. It also features two bars, an outdoor patio, and what attendees most rave about: a terrific sound system. Adjoining the theater, the gastropub Blue Palms Brewhouse serves up terrific draft beers – many local, as well as bottled beers and cocktails, and classic pub food from house-made beer nuts to lobster mac n’ cheese. Carter DeHaven would be proud.

Along with musical acts, The Fonda also accommodates other events, from private parties to award ceremonies; and the theater has been the setting for many film and television shoots –  including the Coen Brothers’ recent Hail Caesar  – not really a surprise, since this is Hollywood after all.

The popular Blue Palms Brewhouse is located in the front of the Fonda Theatre. (Courtesy photo)

Genie Davis is a multi-published novelist and journalist, and produced screen and television writer. Passionate about everything-Los Angeles, you can see her work in the arts on her own

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September 20, 2017

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Radiant Nature Opening at LACE

Juan Downey: Radiant Nature, is a two-part exhibition on the early works of Chilean-born artist Juan Downey as part of the Getty-led Pacific Standard Time: LA/LA initiative exploring the vast subject of Latin American and Latino art in dialogue with Los Angeles. Los Angeles Contemporary Exhibitions (LACE) Opening Reception: September 13, 2017 7-10PM.

From the late 1960s until the mid-1970s, Juan Downey (b. Chile, 1940; d. New York, 1993) pioneered interactive, participatory artworks that helped shape his better-known multichannel video installations such as Video Trans Americas (1973–76) and The Thinking Eye (1974-1989). The works that make up Downey’s Electronic Sculptures (1967–71); Happenings and Performances (1968–75); and Life Cycle Installations (1970–73) take radically different forms, but they share similar strategies; conceived as vehicles for interactivity, they are intended to be played with or participated in rather than passively observed.

Downey was especially interested in the potential of technology to facilitate viewer participation, transform social relations, and forge new modes of communication between organic elements or environments and machines or machine systems. Borrowing ideas from second-order cybernetics, he conceived the organic and technological aspects of his work as relational, operating in tandem and alterable by feedback. Viewer-participants interfacing with the Electronic Sculptures, for example, may trigger an array of outcomes—sounds, colored lights, projections—depending on their actions. Similarly, Downey imagined participants in his Happenings and Performances as part of an unpredictable, amorphous system in which performers, video cameras, closed-circuit televisions, laser beams, and viewer-participants are working together. The Life Cycle Installations create an interdependence between mechanic and organic elements—plants, soil, and insects and electronic sensors, cameras, and television monitors—demonstrating Downey’s belief in the potential of cybernetics to solve large-scale environmental issues by rebalancing relationships between humans, technologies, and ecologies.


Performance view of “Energy Fields” at 112 Greene Street, New York, 1972. (Photo courtesy of The Estate of Juan Downey, New York)

Juan Downey: Radiant Nature es una exposición en dos sedes enfocada en la obra temprana del artista nacido en Chile Juan Downey que forma parte de Pacific Standard Time: LA/LA, una iniciativa de la Getty dedicada a explorar la amplía temática del diálogo entre el arte latinoamericano y latino y la ciudad de Los Ángeles.

A partir de finales de los 60s y hasta mediados de los 70s, Juan Downey (Chile, 1940 – Nueva York, 1993) concibió obras de arte interactivas y participativas que antecedieron y dieron forma a sus instalaciones mejor conocidas de video en canales múltiples como Video Trans Americas (1973–76) y The Thinking Eye (1974-89). Las obras que conforman las Esculturas Electrónicas de Downey (1967–71); sus Happenings y Performances (1968–75); y las instalaciones de Life Cycle (1970–73) se manifiestan de manera radicalmente distinta pero comparten estrategias similares; planteadas como vehículos de interacción, su intención es propiciar el juego y la participación en vez de la observación pasiva.

Downey estaba particularmente interesado en la capacidad de la tecnología para facilitar la participación del espectador, transformar las relaciones sociales y forjar nuevos modelos de comunicación entre elementos y ambientes orgánicos y sistemas mecanizados. A partir de teorías de la cibernética de segundo orden, planteó los aspectos orgánicos y tecnológicos de su trabajo como simbióticos, operando en conjunto y capaces de alterarse mutuamente a través de retroalimentación. Por ejemplo, dependiendo de la acción que lleven a cabo los espectadores-participantes al interactuar con las Esculturas Electrónicas pueden activar cualquiera de una serie de respuestas: sonidos, luces de colores o proyecciones. De una manera parecida, Downey imaginaba a los integrantes de sus Happenings y Performances como parte de un sistema amorfo e impredecible en el que colaboraban participantes, videocámaras, televisores en circuito cerrado, rayos laser y espectadores activos. Las instalaciones de Life Cycle articulan una simbiosis entre elementos mecánicos y orgánicos—plantas, tierra, insectos, sensores electrónicos, cámaras y monitores televisivos—que demuestra la creencia de Downey en el potencial de la cibernética para resolver problemas ecológicos masivos al alterar el equilibrio de la relación entre humanos, tecnologías y ecologías.

About PST: LA/LA

Pacific Standard Time: LA/LA is a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles taking place from September 2017 through January 2018. Led by the Getty, Pacific Standard Time: LA/LA is a collaboration of arts institutions across Southern California.

Through a series of thematically linked exhibitions and programs, Pacific Standard Time: LA/LA highlights different aspects of Latin American and Latino art from the ancient world to the present day. With topics such as luxury arts in the pre-Columbian Americas, 20th century Afro- Brazilian art, alternative spaces in Mexico City, and boundary-crossing practices of Latino artists, exhibitions range from monographic studies of individual artists to broad surveys that cut across numerous countries.

Click here to learn more about PST: LA/LA.

Supported by more than $16 million in grants from the Getty Foundation, Pacific Standard Time: LA/LA involves more than 70 cultural institutions from Los Angeles to Palm Springs, and from San Diego to Santa Barbara. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.

LACE (Los Angeles Contemporary Exhibitions)
6522 Hollywood Blvd.

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September 11, 2017

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Tickets On Sale Now for 6th Annual Sunset & Dine

Tickets are now on sale for the sixth annual Sunset & Dine, the annual food festival coordinated by the Sunset & Vine Business Improvement District.

Presented by Kilroy Realty Corp., the event will take place on Thursday, September 28, 2017 at Columbia Square, 6121 W. Sunset Blvd. in Hollywood. Hours will be 6:00 p.m. – 9:00 p.m.

Featured restaurants this year include Paley., Wood & Vine, Good Greek Grill, Urban Masala, and Dave & Busters. The full lineup of restaurants will be made available soon.

Premiere sponsors include Emerson College Los Angeles and the Los Angeles Film School. Gold sponsors include Paramount Contractors and Developers and Skanska. Community sponsors include Amoeba Music, Councilmember Mitch O’Farrell (CD 13), and Ntho Net, Inc.

Tickets range from $35 early bird special to the regular rate of $50. Children under 12 admitted free. All proceeds benefit The Center at Blessed Sacrament.


“Sunset & Dine brings those who live, work and play in Hollywood together with local chefs, culinary professionals and musicians for a fun evening under the stars,” said Fabio Conti of Fabiolus Cucina.  “The true entertainment capital of the world is transforming.  There’s more than $1.8 billion in investment in the pipeline here.  Special things are happening in Hollywood, and Sunset & Dine will give guests a taste of it.”


The Sunset & Vine District is a seven-year property-based Business Improvement District (BID) that spans 15 blocks along the world-renowned Sunset Boulevard, from roughly Schrader Boulevard on the west to the 101 Freeway on the east. Renewed in 2012, the SVBID is composed of approximately 138 property owners who are assessed $1.4 million annually to pay for security, maintenance services and marketing to promote the revitalization of the area.   Major landmarks in the District include the Cinerama Dome, Sunset & Vine Tower, Sunset Gower Studios, The Los Angeles Film School, and the former Tribune Studios.  More information on the BID is available at

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September 1, 2017

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Scot Nery’s Boobie Trap: A Variety Show to End All Variety Shows

Hollywood Boulevard has long been home to popular entertainment, from film premieres to street performers. But the busy Boulevard has never seen anything quite like the cornucopia of variety acts in Scot Nery’s exuberant show, Boobie Trap.

The 90-minute variety extravaganza runs every Wednesday night in the heart of Old Hollywood. Nery says he loves his show’s new home.

“I first started the show in May 2015. My friend had a giant warehouse in Echo Park and it was supposed to be torn down in a matter of weeks. I thought we’d do a few shows there, but it proved to be extremely popular and extremely fun. It took them a year to kick us out, and by the time the year was up, Boobie Trap was a juggernaut. Had to keep it going, so we moved to West Adams.”

While Nery enjoyed the location at West Adams’ restaurant Fais Do Do, he says “nothing compares” to Hollywood.

“When the Houston Brothers invited us to use their space, we leapt,” he asserts. “From the start our goals have been to take care of the audiences and the entertainers, constantly caring about mutually beneficial choices. Moving to Hollywood meant easier access, a safer neighborhood, better drinks, being in arms-reach of food and stuff, and a venue that’s a little tighter and better for comedy.”

Scot Nery’s Boobie Trap in Hollywood features a variety of performers, from circus acts to magicians, musicians and comedians. (Photo by Richard Michael Johnson)

He’s also looking at expanding his audience. “Hopefully we’ll be able to better tap into tourism and learn how that works, so we can sell out every show – although the audiences have already been a great size.”

Nery says what’s most unique about his show is the large number of exciting entertainers available, plus the fact that, “the audiences are weird. Boobie Trap couldn’t be done in any other city besides Los Angeles. In many other big cities, people are used to going out to shows, but L.A. is just learning what good live entertainment is. Audiences like a certain combination of aggressiveness and sweetness, and that’s what we give them.”

Named “The Best Variety Show in L.A.” this year by Los Angeles Magazine, the show features world-class stars of cirque, magic, music, comedy, and more.

Scot Nery’s Boobie Trap is now playing in the heart of Old Hollywood each Wednesday night. (Photo by Richard Michael Johnson)

“Each Wednesday we feature about 15 acts in 90 minutes. It’s fast-paced with an emphasis on fun. There’s no age limit, but there is adult content,” Nery explains.

Each performer gets four minutes to showcase their act before it’s on to the next one, making the show fresh and fast-paced. There’s something for everyone in the show.

“This is the first variety show that I’ve produced, but I’ve been performing professionally since age 11. I have produced two one-man shows, a live on-stage cooking show, a slapstick convention, a web series, an open mic, and a few commercials.  In between these things, I’ve performed in every venue imaginable including on the streets, in 15,000-seat amphitheaters, church basements, and bowling alleys.”

Each performance of Scot Nery’s Boobie Trap is unique and features about 15 acts. (Photo by Richard Michael Johnson)

The now 36-year-old veteran performer says he’s in it for the thrill.

“When I was a kid in Ohio, we would go sled riding. I just liked building ramps for people to launch off. I wanted to geek out on making them the perfect steepness and the perfect height so they were the most fun. I sat for hours shoveling, piling and smoothing to get them just right for the maximum enjoyment of others,” he relates. “I’ve been doing that kind of thing ever since. Scot Nery’s Boobie Trap is just the next ramp that I’m offering to anyone who wants to have fun and maybe pee themselves a little,” he laughs.

Boobie Trap performances take place at 6555 Hollywood Blvd. The show starts at 8 p.m., Wednesday evenings. He offers both six-pack season passes and individual show tickets.

Visit for tickets.

Some of the many performers involved with Scot Nery’s Boobie Trap, showing each Wednesday evening in Hollywood. (Photo by Richard Michael Johnson)

Genie Davis is a multi-published novelist and journalist, and produced screen and television writer. Passionate about everything-Los Angeles, you can see her work in the arts on her own

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August 31, 2017

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The Montalbán Theatre: An Iconic Playhouse for the Hollywood Community

A beautiful and graceful Hollywood landmark, The Montalbán Theatre was built in 1926 by architect Myron Hunt, the force behind other Southern California landmarks including the Rose Bowl, CalTech, and the Ambassador Hotel. The venue has a storied past and an evolving history, and is a vital part of the cultural scene in the neighborhood today.

Historic photos of the Montalbán Theatre. (Courtesy photo)

Originally named The Wilkes Brothers Vine Street Theatre – the Wilkes were the builders – it was purchased by Howard Hughes in the 1930s. Hughes converted it into a film theater, renaming it the Mirror. Since then, this structural jewel, one of the last remaining mid-size proscenium-style theaters in Los Angeles, has gone through many incarnations, including playing host to CBS Radio’s KNX studios and Lux Radio Theatre. It returned to its original theatrical roots as a stage venue known as the Huntington Hartford. James Doolittle, who also ran the Greek Theatre, later took over the house with successful performances of top-talent shows. His tenure was followed by a stint under the auspices of UCLA. The low point for this landmark: the theater went dark after UCLA’s stewardship.

The Montalbán Theatre is located just south of Hollywood and Vine. (Courtesy photo)

But fortunately, it’s now thriving, thanks to the vision of actor Ricardo Montalbán. When he purchased it in 1999 and made it his namesake, it was with a vision to provide a way to inspire and train emerging Hispanic artists and assist them in entering the mainstream entertainment industry. The theater was planned to serve as a professional working space where they could practice their skills.

Today, the Montalbán Theatre is more than just a lovely and historic structure. The 970-seat theater has partnered with community performing arts groups, offering stage space on a complimentary basis, and continues to support students and artists.

According to the theater’s executive producer, Gilbert Smith, “Our work here to renovate and to develop programming for our community is ongoing and expanding. We have a new programming partner with The Second City. We are starting a series of sketch comedy nights with them September 28th.”

A live performance at the Montalbán Theatre in Hollywood. (Courtesy photo)

The Montalbán is currently undergoing further restoration, and is also expanding below-stage and upstairs areas. The theater’s ongoing extensive renovation has been supported by Nike USA which installed a rooftop sports court as a part of its support of the theater, LA84, KV2 Audio, and Canon USA. The theater has been enhanced with state-of-the-art projection mapping, LED lighting, and a powerful sound system, too.

Programming is eclectic. When the Montalbán began, most productions featured Latino themes, but more recently productions have included everything from John Leguizamo’s Ghetto Klown to a performance of The Who’s classic rock opera, Tommy, and a world-premiere production of Swan Lake: The Musical. It also played host to Nick Kroll’s Oh Hello comedy special. The stage is renowned for its excellent acoustics and sight-lines, as well as for its beautiful art-deco heritage.

Along with theatrical performances on stage, The Montalbán rooftop is home to the Rooftop Cinema Club, a premiere outdoor moving-screening program that provides wireless headsets and comfortable lounge chairs for viewers to enjoy stunning Hollywood skyline views along with a wide range of films. Food and drinks are also available for purchase.

The Rooftop Cinema Club operates on the rooftop of the Montalbán Theatre. (Courtesy photo)

Smith asserts “The Rooftop Cinema Club is a great addition to our programming efforts. We are partners with this endeavor with the season currently running five days a week Tuesday through Saturday from April to November, with additional private and special screenings on Sunday or Monday nights.”

With Halloween coming, Smith notes that “Starting Friday October 13th, we will be featuring horror, immersive and sci-fi experiences with Rooftop Cinema Club and with our main theater.”

Along with the performing arts, The Montalbán hosts art exhibitions as well, such as the current Rainbow Shift 3.0 curated by Baha H. Danesh and Tiger Munson with We Choose Art and Tigrefino Projects. Rainbow Shift is designed to offer a fusion of art and social justice within the LGBTQ community, and features paintings, sculptures, photography, and thread-based craft art. The show runs through October 2nd.

The Montalbán is home to art exhibits such as the annual Rainbow Shift show. (Courtesy Photo)

“Having our art shows lends to the ongoing efforts between our theater and with the local artists. We are fully committed to art and commerce,” Smith says.

And the Hollywood community is all the better for that.

Ricardo Montalbán Theatre
1615 Vine Street
(323) 871-2420

Genie Davis is a multi-published novelist and journalist, and produced screen and television writer. Passionate about everything-Los Angeles, you can see her work in the arts on her own

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August 30, 2017

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Stay in Hollywood. Take Metro.

Hollywood. It’s the stuff dreams are made of. It’s also centrally located within the Los Angeles area, and home to attractions like the Walk of Fame, Madame Tussauds, Hollywood Wax Museum, TCL Chinese Theatre, Amoeba Music, ArcLight Cinemas, The Egyptian Theatre, Capitol Records, Hollywood + Highland Mall, The Hollywood
Museum, and much more!

Stay in Hollywood! Accommodations range from hostels and budget chains to boutiques and luxury brands, and everything in between. You’re sure to find the place that’s right for you! Make Hollywood your base, and take Metro to experience all the Los Angeles has to offer, from Long Beach to Santa Monica; Downtown Los Angeles to
Pasadena, and many other exciting locations.

To illustrate this point, Only in Hollywood partnered with local fashion designers MANAM Fashion and Vic-Chen to install a window display in our storefront office at 6562 Hollywood Blvd. The designers each selected three destinations easily accessible from Hollywood via Metro and dressed mannequins to represent six stations: Chinatown; Downtown Santa Monica; Downtown Long Beach; Memorial Park (Pasadena); and 7th/Metro (Downtown Los Angeles). Hollywood/Highland was also represented as the starting point! The windows will be on display through Labor Day.

Designer Vic-Chen dressed mannequins to represent Chinatown, Long Beach, and Santa Monica; locations that are easily accessible from Hollywood via Metro. (Photo by Devin Strecker)

A huge thanks to our fellow business improvement districts (BIDs) for providing the photos to illustrate each destination: Old Pasadena Management District, Downtown Center BID; Downtown Santa Monica, Inc.; Downtown Long Beach Alliance; and Chinatown BID.

MANAM Fashion representing Hollywood & Highland, the starting point for journeys on Metro! (Photo by Devin Strecker)

Designer Statements

Vic-Chen, a Los Angeles-based designer, focuses on designing Men’s Apparel in fun, creative, and innovate way. Vic-Chen interpreted the mission of representing the Santa Monica, Long Beach, and Chinatown Metro stops by putting together playful, contemporary, and colorful designs that align with the culture of these parts of Metro Los Angeles. For more information, visit

Designer Vic-Chen’s representation of Downtown Long Beach. (Photo by Devin Strecker)

MANAM specializes in luxury leather clothing and accessories, and “loungerie” i.e. sexy loungewear that is comfortable enough to wear at home, and sophisticated enough to wear out.  This juxtaposition was inspired by the independent, live/work lifestyle that many professionals now have the luxury to access. I want MANAM to be a major player in supporting American industry and economy with domestic manufacturing, and set a humanitarian example for appropriate compensation and treatment of skilled craftsmen and laborers. For more information, visit

We are proud to announce that MANAM is featured on the cover of Rolling Stone Magazine! The leather pants as seen in our storefront window, on the mannequin representing “Hollywood,” are worn by “Wonder Woman” Gal Gadot on the September 7, 2017 issue, as seen below.

About Metro

Metro (the Los Angeles County Metropolitan Transportation Authority) is unique among the nation’s transportation agencies. It serves as transportation planner and coordinator, designer, builder and operator for one of the country’s largest, most populous counties. More than 9.6 million people – nearly one-third of California’s residents – live, work, and play within its 1,433-square-mile service area. For more information, visit

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August 8, 2017

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2017 Annual All Property Owners Meeting

The boards of directors for both the Central Hollywood Coalition and the Hollywood Property Owners Alliance will host their joint annual gathering on Thursday, August 24, 2017.  The program will address the challenges and opportunities that the BID team has been addressing, from homelessness and public safety trends to development and planning, as well as BID renewal.

The meeting will take place from 4:00 p.m. to 6:00 p.m. at the Hollywood Roosevelt Hotel, Oscar Room, 7000 Hollywood Blvd. It will be followed by a wine reception and appetizers from 6:00 p.m. to 7:30 p.m. Parking is available on site for $10.

All property owners, and their representatives, in both districts are invited to attend. Please RSVP to 323-463-6767 or email


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August 8, 2017

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Bop on down to Bibibop

Bibibop Asian Grill brings the bold flavors and healthy ingredients of South Korea to its new home at Sunset and Vine!

The interior of the new Bibibop Asian Grill at Sunset and Vine in Hollywood. (Courtesy photo)

Fans of Shophouse, the Asian-fusion chain from the Chipotle brand that recently shuttered, can take solace in the fact that Bibibop has taken over all 15 former Shophouse locations. Although Bibibop features some different flavors and products, the concept is very similar.

Guests begin by choosing from a base of noodles, rice, or salad; add a protein and a hot topping; then customize it with your choice of cold toppings and sauces (there are five sauces to choose from). There are also sides such as kimchi and pineapple, as well as edamame. Bibibop lets you complete your meal with complimentary miso soup!

The flavors of Bibibop Asian Grill. (Courtesy photo)

Bibibop first opened in Columbus, Ohio, in August of 2013. Inspired by bibimbap, a traditional Korean dish, the chain has expanded to nearly 30 locations across the country, including two additional locations in Los Angeles and one in Santa Monica.

For more information, visit

A complete meal from Bibibop Asian Grill at Sunset and Vine in Hollywood. (Courtesy Photo)

BIBIBOP Asian Grill
6333 Sunset Blvd.
(323) 462-2856

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August 1, 2017